Kandinskij e la musica
a cura di Matilde Battistini
Scritti di Kandinskij
KANDINSKY WASSILY, Ecrits complets, Editions Denoël-Gonthier, 1970 édités par Philippe Sers. Tutti gli scritti, traduzione italiana di Libero Sosio per i testi in lingua tedesca, francese e inglese, Nilo Pucci per i testi in lingua russa, Brita e Enrico Chilò per i testi in lingua svedese, Feltrinelli, Milano 1973).
In particolare:
Suono verde (Zelenyj zvuk), 1909
Nero e bianco (Cernoe i beloe), 1909
Contenuto e forma (Soderzanie i forma), 1911
Dove va l'arte nuova (Kuda idet "novoe" iskusstvo), 1911
Il suono giallo (Der gelbe Klang), 1912
Sulla questione della forma (Über die Formfrage), 1912
I quadri di Schoenberg (Die Bilder), 1912
Dello spirituale nell'arte (Über das Geistige in der Kunst), 1912
Sulla composizione scenica (Über Bühnenkomposition), 1912
Sguardo al passato 1901-1913 (Rückblick 1901-1913), 1913
Suoni (Klänge), 1913
Viola (Violett), 1914
Dell'artista (Om Konstnären), 1916
La grande utopia (O "velikoj utopii), 1920
Sulla sintesi scenica astratta (Über die abstrakte Bühnensynthese), 1923
Punto e linea nel piano (Punkt und Linie zu Fläche), 1926
Alcune nozioni sull'arte sintetica (Und. Einiges über synthetische Kunst), 1927
Risposte a P. Plaut, 1928
Il cavaliere azzurro (Der Blaue Reiter), 1930
Modest Musorgskij: Quadri di un'esposizione (Modeste Musorgskij: Bilder einer Ausstellung), 1930
I corsi al Bauhaus 1922-1933 (dattiloscritti e manoscritti dell'autore. Inediti in lingua tedesca)
La pittura astratta (Abstrakte Malerei), 1935
L'arte d'oggi è più viva che mai (Enquête), 1935
Arte concreta (L'art concret), 1938
Stabilità animata (Stabilité animée), 1938
"Rilievi colorati" di Sophie Taeubner-Arp (Les reliefs colorés de Sophie Taeubner-Arp), 1943
KANDINSKY W., Scritti intorno alla musica, a cura di Nilo Pucci, Discanto, Fiesole 1979 (1990).
KANDINSKY W. - SCHÖNBERG A., Briefe, Bilder und Dokumente einer aub ergewöhnlichen Begegnung (Musica e Pittura: lettere, testi. documenti), a cura di J. Hahl-Koch, Einaudi, Torino 1988; revisione di LEUCHTMANN Horst, in Musik in Bayern, Germany XXI,1980, pp. 60-63 (RILM 1980)
KANDINSKY W. - MARC, F. (a cura di), "The Blaue Reiter Almanac", New York: Viking, 1974 (RILM 1975)
KANDINSKY W., Conferenza di Colonia (Kölner Vortrag, 1914), in J. EICHNER, Wassily Kandinsky und Gabriele Münter, Bruckmann, Monaco 1957, pp. 109-116
Scritti teorici di carattere generale
DÖMLING Wolfgang, "Reuniting the arts: Notes on the history of an idea", 19th-Century Music, vol.XVIII/1, USA, summer, 1994, pp. 3-9 (RILM 1994)
VANECKINA Irina, "Kuda skacet Sinij vsadnik?" ("Where Is Der Blaue Reiter Racing?"), Muzykal'naja akademija, Issue 1, 1994, pp. 122-124 (RILM 1994)
CRAWFORD John C.; CRAWFORD Dorothy L., Expressionism in Ttwentieth-Century Music, Bloomington, Indiana U.,1993 (RILM 1993)
DAMIANI Giovanni, "La necessità della variazione nei pensiero viennese progressista" ("The Necessity Of Variation In Progressive Viennese Thought"), Studi musicali, vol. XXII/2, Italy, 1993, pp. 447-465 (RILM 1993)
GOLDHAN Wolfgang, Musik-Ornamente von Ferdinand Eckhardt sen., Beethoven, Brahms, Bruckner, Rachmaninov, Wagner (Musical Ornaments Of Ferdinand Eckhardt, The Elder, Beethoven, Brahms, Bruckner, Rachmaninov, Wagner), Berlin: edition q, 1993 (RILM 1993)
ZAUNSCHIRM Thomas, Arnold Schönberg: Das bildnerische Werk, Klangefurt: Ritter, 1991, p.456 (RILM 1993)
CYTOWIC Richard E.- OMMAY, Synesthesia: A union of the senses, Berlin: Springer; Heidelberg: Springer; New York: Springer, 1989 (RILM 1991)
FINK Monika, "Musica privata" - Die Rolle der Musik im privaten Leben: Festschrift zum 65. Geburtstag von Walter Salmen ("Musica privata" - The Role Of Music In Private Life: Essays For Walter Salmen's 65th Birthday), Innsbruck: Helbling, 1991 (RILM 1991)
PERICIC Vlastimir; DEVIC Dragoslav, VESELINOVIC-HOFMAN Mirjana, MARKOVIC Mladen, Folklor i njegova umetnicka transpozicija. III (Folklore And Its Artistic Transposition. III), Beograd: Fakultet Muzicke Umetnosti, 1991 (RILM 1991)
SCHUHMACHER Gerhard, "Johann Sebastian Bach und eine 'Harmonielehre der Malerei': Musikalisch-kunstästhetische Reflexion und Gestaltung bei Braque, Klee und Kandinsky" ("Johann Sebastian Bach And A 'Harmonic Theory Of Painting': Musical-Aesthetic Reflection And Form In Braque, Klee, And Kandinsky"), in Musica privata--Die Rolle der Musik im privaten Leben: Festschrift zum 65. Geburtstag von Walter Salmen, Innsbruck: Helbling, 1991, pp. 357-378 (RILM 1991)
KRAEMER Rudolf-Dieter, "Musik und bildende Kunst" ("Music And The Fine Arts"), Musikpädagogische Forschung, Essen: Blaue Eule, 1990 (RILM 1990)
MINARDI G.P., "Il cavaliere azzurro e la scuola di Vienna", Quaderni del teatro regio, XXII, Parma 1989.
MORGAN Robert P., Secret Languages: The Roots Of Musical Modernism, In Modernism: Challenges And Perspectives, (a cura di Monique Chefdor, Albert Wachtel and Ricardo Quiñones), Urbana, IL: U. of Illinois, 1986, pp. 33-53 (RILM 1989)
HEINE Malou - VANHULST Henry, "Musique et société: Hommages a Robert Wangermée" [Wangermée Festschrift] ("Music And Society: Homages To Robert Wangermée") Faculté de Philosophie et Lettres, vol. 101 , Bruxelles: Université de Bruxelles, 1988 (RILM 1988)
BEHNE Klaus-Ernst, editor, Film - musik - video, oder Die Konkurrenz von Auge und Ohr (Film - Music - Video, Or, The Competition Of Eye And Ear), Regensburg: Bosse, 1987 (RILM 1987)
STACEY Peter, Boulez And The Modern Concept, Lincoln: U. Nebraska, 1987 (RILM 1987)
GEELHAAR Christian, "Entretien avec Pierre Boulez - Paris, le 19 décembre 1985" ("Interview With Pierre Boulez - Paris, 19 December 1985"), in Komponisten des 20. Jahrhunderts in der Paul Sacher Stiftung, Basel: Paul Sacher Stiftung, 1986, pp. 351-358 (RILM 1987)
ESCOT Pozzi, "Semiotics Of Music", Sonus, vol. VI/2, USA, spring 1986, pp. 11-30 (RILM 1986)
LEVIN Gail, "Die Musik in der frühen amerikanischen Abstraktion" ("Music In Early American Abstract Painting"), in Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts, München: Prestel, 1985, pp. 368-73, (RILM 1986-06424-ac)
WANGERMÉE Robert, Capriccio: Musique et art au XXième siècle - Convergences, rencontres, Affinités (Capriccio: Music And Art Of The 20th Century - Convergences, Meetings, Affinities), Bruxelles: Palais des Beaux-Arts, 1986 (RILM 1986-00137-bc9)
BOWLT John, "Vom Symbolismus zum Suprematismus" ("From Symbolism To Suprematism"), in Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts, München: Prestel, 1985, pp. 390-393 (RILM 1986)
BACH Friedrich Teja, "Johann Sebastian Bach in der klassischen Moderne" ("Johann Sebastian Bach And Classical Modernism"), in Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts, München: Prestel, 1985, pp. 328-335 (RILM 1985)
MAUR K. von, Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts (The Sound Of Images: Music In The Art Of The 20th Century), München: Prestel, 1985 (RILM 1985)
HOLOPOVA V. - HOLOPOV J., "Die Musik Anton Weberns" ("The Music Of Anton Webern"), in Kunst und Literatur, Vol. XXXIII/5, September-October 1985, Germany, pp. 684-701 (RILM 1985)
COOPER Martin, "Alexander Skriabin And The Russian Renaissance", in Abraham Festschrift, pp. 219-239 (RILM 1985)
SCHULZ Bernhard, "Musikalität und Geometrie" ("Musicality And Geometry"), in Weltkunst, Vol. LIV/17, September 1984, Germany, c. 2227-2229 (RILM 1984)
GEYSEN Frans, "Plastische Kunsten en Muziek van deze eeuw: Parallellie in de inspiratie, werkwijze, resultaat? ("Plastic Arts And Music In This Century: Parallelism In Their Inspiration, Method, And Results?"), in Adem, Vol. XX/1, January-February 1984, Belgium, pp. 15-20 (RILM 1984)
DEPPERMANN Maria, "Russland um 1900: Reichtum und Krise einer Epoche im Umbruch" ("Russia Around 1900: Richness And Crisis Of An Era In Upheaval"), in Musik-Konzepte, Vol. 37-38, 1984, Germany, pp. 61-106 (RILM 1984)
RUF Wolfgang, "Arnold Schönbergs Lied Herzgewächse" ("Arnold Schoenberg's Song Herzgewächse"), in Archiv für Musikwissenschaft, Vol. XLI/4,1984, Germany, pp. 257-273 (RILM 1984)
CHIRICO Robert, "Some Reflections On Sound And Silence In The Visual Arts", in Arts Magazine, Vol. LVI/8, April 1982, Usa, pp. 101-105 (RILM 1982)
BACIC Marcel, "Klangraum - Raumklang" ("The Space Of Music - Music Of Space"), in International Review of the Aesthetics and Sociology of Music, Vol. XI/2, December 1980, Croatia, pp. 197-217 (RILM 1980)
ARCHABAL Nina Marchetti, Carl Ruggles: An Ultramodern Composer As Painter, PhD diss.: U. of Minnesota, 1979 (RILM 1979)
RICHTER Lukas, "Zur Musikanschauung von Stanislaw Przybyszewski" ("The Musical Views Of Stanislaw Przybyszewski"), in Deutsches Jahrbuch für Musikwissenschaft (vedi Jahrbuch Peters, Germany), Vol. XVIII, 1973-1977, Germany, pp. 59-79 (RILM 1978)
JAROCINSKI Stefan, "Problem eskpresji i ekspresjonizmu w muzyce" ("Expression And Expressionism In Music"), in Miesiecznik literacki, Vol. XII/2, 1977, Poland, pp. 62-68, (RILM 1977)
AA.VV., Erdmann Festschrift Begegnungen mit Eduard Erdmann. Erinnerungsbuch zum 10. Todestag des Interpreten, Komponisten und Lehrers E.E. (1896-1958) (Encounters With Eduard Erdmann. A Book Of Recollections On The Occasion Of The 10th Anniversary Of The Death Of E.E. - Performer, Composer, And Teacher, 1896-1958), 1976, (RILM 1977)
PLESSNER Helmuth, "Die Musikalisierung der Sinne. Grundsätzliches zu einem modernen Phänomen" ("The Musicalization Of The Senses. Fundamental Traits Of A Modern Phenomenon), in IMS Report 1972, pp. 32-39 (RILM 1976)
SCHMOLL-EISENWERTH J, "'Hommage a J.S. Bach'. Ein Thema der bildenden Kunst des 20. Jahrhunderts" ("Hommage A J.S. Bach. A Theme In The Visual Art Of The 20th Century"), in Boetticher Festschrift, pp. 325-343 (RILM 1974)
ROGNONI Luigi, Espressionismo e dodecafonia, Einaudi, Torino 1954 (II ed. ampliata, col titolo La scuola musicale di Vienna, Torino 1966)
Scritti monografici
AAVV, Kandinsky e i suoi contemporanei. La musica del colore, ritmo e spazio (Catalogo della mostra, Aosta, Centro Saint-Benin 12 dicembre1998-5 aprile 1999),Giorgio Mondadori, Milano 1998.
VERDI Luigi, "Kandinsky e la musica", in "Suoni e visioni", Civiltà musicale n.26, Milano dicembre 1996, pp. 59-90.
SCHLAFFER Hannelore-Heinz, "Wassily Kandinsky und Arnold Schönberg: Der Briefwechsel" ("Wassily Kandinsky And Arnold Schönberg: Correspondence"), a cura di MEINE Sabine, Neue Zeitschriftfür Musik, CLV/5, Germany, Sept 1994, pp. 84-85 (RILM 1994).
REEDER Roberta, Gesamtkunstwerk: Zwischen Synästhesie und Mythos (Gesamtkunstwerk And Technology In The USSR), Bielefeld: Aisthesis, 1994, pp. 201-240 (RILM 1994).
SCHLAFFER Hannelore - SCHLAFFER Heinz, Wassily Kandinsky und Arnold Schönberg: Der Briefwechsel (Wassily Kandinsky And Arnold Schönberg: Correspondence), Stuttgart: Hatje, 1993 (RILM 1994).
GRUHN Wilfried, Kandinsky und Schönberg: Harmonie und Konflikt als Ausdruck der Stilwende um 1900 (Kandinsky And Schönberg: Harmony and Conflict As An Expression Of Revolutionary Style ca. 1900), Polyaisthesis, vol. III/1, 1988, pp. 34-46 (RILM 1991).
PUCCI Nilo, Ut pictura poesis - in margine ai versi di Kandinskij in INVENTARIO, Anno XXIII, n. 14, Nuova Serie.
CLEAVE Janet L., The Significance Of Symbolism In The Works Of Kandinsky And Schönberg (1908-1913): A Parallel Study Of Style And Aesthetics, PhD diss.: U. of Bristol, 1988 (RILM 1991).
HICKEN Adrian, "Kandinsky, Von Hartmann, Der gelbe Klang And Der blaue Reiter: The Veiling Of Folk Imagery In An Unproduced Bühnengesamtkunstwerk Of 1912", in Folklor i njegova umetnicka transpozicija. III, Beograd: Fakultet Muzicke Umetnosti, 1991, pp. 141-155 (RILM 1991).
GRUHN Wilfried, "Begegnung der Kunst: Kandinsky und Schönberg. Von der Hinfälligkeit des Schönen und der Harmonie der Dissonanz" ("Encounter Of The Arts: Kandinsky And Schönberg. On The Frailty Of The Beautiful And The Harmony Of Dissonance") in Musik und bildende Kunst, Essen: Blaue Eule, 1990, pp.61-80 (RILM 1990).
TEICHMANN Anke, "Klang - Farbe - Ausdruck: Zum synästhetischen Prinzip bei Wassilli Kandinski und Arnold Schönberg" ("Tone - Color - Expression: On The Synaesthetic Principle In The Work Of Wassily Kandinsky And Arnold Schoenberg"), Beiträge zur Musikwissenschaft, vol. XXXII/3, Germany, 1990, pp. 204-213 (RILM 1990).
SOHMAN Gennadij, "Paralleli duha: Citaja perepisku Arnol'da Senberga s Vasiliem Kandiskim" ("Parallels Of The Spirit: Reading Arnold Schönberg's Correspondence With Wassily Kandinsky"), Sovetskaja muzyk", Issue 7, USSR, July, 1990, pp. 72-79 (RILM 1990).
HADERMANN Paul, "Musique et espace chez Kandinsky: A propos du Spirituel dans l'art" ("Music And Space In Kandinsky: Über Das Geistige In Der Kunst"), in Musique et société: Hommages a Robert Wangermée, Bruxelles: U. de Bruxelles, 1988, pp. 143-72 (RILM 1988).
WANGERMÉE Robert, "Kandinsky et Schönberg, Schönberg et Kandinsky: Sur quelques conjonctions peinture-musique" ("Kandinsky And Schönberg, Schönberg And Kandinsky: On Some Painting/ Music Connections"), Bulletin de la classe des beaux-arts, vol. LXIX/3-5, France, 1987, pp.113-137 (RILM 1987).
VALLIER Dora, La rencontre Kandinsky-Schönberg (The Kandinsky- Schönberg Meeting), Caen: Echoppe, 1986 (RILM 1986)
HAHL-KOCH Jelena, "Kandinsky, Schönberg und der Blaue Reiter", ("Kandinsky, Schönberg, And The Blauer Reiter"), in Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts, München: Prestel, 1985, pp. 354-359 (RILM 1985).
OBERHUBER Oswald, Schönberg-Gespräch, 25. Mai 1984, (Schönberg Talk, 25 May 1984), Wien: Hochschule für angewandte Kunst Wien, 1985, (RILM 1985).
VERGO Peter, "Kandinsky et Schönberg" ("Kandinsky And Schönberg"), Cahiers du Musée Nat. d'Art Moderne, vol. 16, 1985, pp. 62-71 (RILM 1985).
HÜNEKE Andreas, "Blau klingt wie eine Orgel: Der Blaue Reiter und die Musik" ("Blue Sounds Like An Organ: Der Blaue Reiter And Music"), in Bildende Kunst", Vol. 6, 1984, Germany, pp. 255-257 (RILM 1984).
HOUGH Bonny E, "Schönberg's Herzgewächse And The Blaue Reiter Almanac", in Journal Of The Arnold Schönberg Institute, Vol. VII/2, November 1983, USA, pp.197-221 (RILM 1983).
PILAT Karin, Die Bilder Arnold Schönbergs und dessen Beziehung zu Wassily Kandinsky (Arnold Schönberg's Paintings And Their Relationship To Wassily Kandinsky), MA diss., Music history: Hochschule für Musik und darstellende Kunst, Graz, 1982 (RILM 1982)
EISLER Georg, "Zur Begegnung Schönberg-Kandinsky. Bemerkungen zum Dokumentationsband von Jelena Hahl-Koch" ("Concerning The Schönberg-Kandinsky Encounter. Remarks On The Documentary Volume By Jelena Hahl-Koch"), in Österreichische Musikzeitschrift, Vol. XXXVII/2, February 1982, Austria, pp.103-104 (RILM 1982).
WEILAND Frits, "Der gelbe Klang", in Interface, Vol. X/1, 1981, Netherlands, pp.1-13 (RILM 1982).
ILIUT Vasile, "Arnold Schönberg Pictor" ("Arnold Schönberg Painter"), in Studia musicologica Academiae Scientiarum Hungaricae, Vol. XVI, 1981, Hungary, pp. 448-56 (RILM 1981).
VERGO Peter, "Music And Abstract Painting: Kandinsky, Goethe And Schönberg", In Towards A New Art: Essays On The Background To Abstract Art 1910-1920, London: Tate Gallery, 1980 (RILM 1980).
STEINER Ena, "The Happy Hand: Genesis And Interpretation Of Schönberg's Monumentalkunstwerk", in Music Review, Vol. XLI/3, August 1980, Great Britain, pp. 207-222 (RILM 1980).
BECK Richard Thomas, "The Sources And Significance Of Die glückliche Hand", in Kongress-Bericht, pp.427-429, Berlin 1974 (RILM 1980)
AA.VV., "Bericht uber den 1. Kongress der Internationalen Schönberg-Gesellschaft. Wien, 4. bis 9. Juni 1974" ("Report On The Congress (1st) Of The International Schönberg Society, Vienna, 4-9 June 1974"), "Im Auftrag der Gesellschaft herausgegeben von Rudolf Stephan", in Internationalen Schönberg-Gesellschaft, Vol. 1, Wien, Elisabeth Lafite, 1978 (RILM 1978).
ASHMORE Jerome, "Sound In Kandinsky's Painting", In Journal Of Aesthetics And Art Criticism, Vol. XXXV/3, spring 1977, Canada, pp.329-36 (RILM 1978)
STUCKENSCHMIDT Hans Heinz, "W. Kandinsky und A. Schönberg - Malerei und musikalisches Denken in moderner Kunst" ("V. Kandinskij And A. Schönberg: Painting And Musical Thought In Modern Art"), in Universitas, Vol. XXXII/3, 1977, Germany, pp. 236-238 (RILM 1977).
HAHL Jelena, "Abstraction et musique atonale: Kandinsky et Schönberg" ("Abstraction And Atonal Music: Kandinsky And Schönberg"), in Oeil, Vol.250, May 1976, pp. 24-27, 64 (RILM 1976).
WOHLGEMUTH Gerhard, "Schönberg und die Künste" ("Schönberg And The Arts), in Arnold Schönberg-1874 bis 1951, pp. 151-164 (RILM 1976).
STUCKENSCHMIDT Hans Heinz, "Schönbergs musikalischer Expressionismus" ("Schönberg's Musical Expressionism") in Neue Zürcher Zeitung, Vol. 428 September 1973, Switzerland (RILM 1976).
GRUBER Gernot, "Schönberg für Antischönbergianer-Zur asthetischen Situation der Jahre um 1910" ("Schönberg For The Anti-Schönbergians-Concerning The Aesthetic Situation In The Years Around 1910"), in Musik und Bildung, Vol. VI/10, 1974, Germany, pp.537-542 (RILM 1976).
KROPFINGER Klaus, "Schönberg und Kandinsky" ("Schönberg and Kandinsky"), in Arnold Schönberg (op.Cit), pp. 9-14, 1974 (RILM 1975)
SCHNEIDER Angela, Berlin, Neue Nationalgalerie, Ausstellung: "Hommage a Schönberg: Der BlaueReiter und das Musikalische in der Malerei der Zeit" (Berlin, Neue Nationalgalerie, exhibition: "Homage To Schönberg: The Blue Rider And The Musical Aspects Of The Painting Of The Period", in Pantheon, XXXIII/1, 1975, pp.56-58 (RILM 1975)
LESSEM Alan, "Schönberg And The Crisis Of Expressionism", in Music & Letters, Vol. LV/4, October 1974, Great Britain, pp.429-436 (RILM 1974).
CRAWFORD John C, "Die glückliche Hand: Schönberg's Gesamtkunstwerk", in Musical Quarterly, Vol. LX/4, October 1974, USA, pp.583-601 (RILM 1974).
GERLACH Reinhard, "Rausch und Konstruktion. Farbklang-Klangfarbe" ("Delirium And Design. Color And Tone Color"), Neue Zeitschrift für Musik, vol. CXXXIV/1, Germany, 1973, pp.10-19 (RILM 1973).
SCHÖNBERG Arnold, "Das Verhältnis zum Text" ("The Relationship To The Text"), Musik und Bildung, vol. IV/12, Germany, 1972, pp. 557-558 (RILM 1972).
RÖSING Helmut, "Musik und bildende Kunst. Über Gemeinsamkeiten und Unterschiede beider Medien2 ("Music And Pictorial Art: Concerning Common Characteristics Of And Differences Between The Two Media"), International Review Of The Aesthetics And Sociology Of Music, Vol. 2, Croatia, 1971, pp.65-76 (RILM 1971).
CAGIANELLI Floriana, Tra fenomenologia e strutturalismo: l'opera teorica di Schönberg (Between Phenomenology And Structuralism: Schönberg's Theoretical Writings), Perugia: 'Grafica' di Salvi, 1971 (RILM 1971).
SCHÖNBACH Dieter, "Neue Aspekte für das totale Theater" ("New Aspects For Total Theater"), Musik und Bildung, vol. III/11, Germany, 1971, pp.525-30. Pubblicato anche in Melos. XXXVIII/4, 1971, pp.138-144 (RILM 1971).
MAYER-ROSA Eugen, "Das Grosse Tor von Kiew im Bild und in der Musik" ("The Great Gate Of Kiev In Pictures And Music"), Musikerziehung, vol. XXIV/3, Austria, January 1971, pp.117-122, (RILM 1971)
SÜNDERMANN Hans, "Beethoven und die Musikalische Graphik" ("Beethoven And Musical Graphics"), Hochschule für M. und darstellende Kunst, Wien, Austria, in Musikerziehung, vol. XXIV/2-3, Austria, November 1970-January 1971, pp.53-56; pp.123-125 (RILM 1971)
VISE Stephen, "Wassily Kandinsky And Arnold Schönberg: Parallelisms In Form And Meaning, PhD diss., Musicology: Washington U., St. Louis, 1969 (RILM 1969).
WOLFF Hellmut Christian, "La musica e la pittura moderna", Quaderni della rassegna musicale, vol. IV, 1968, pp.149-165 (RILM 1968).
OVERY Paul, "Colour and Sound", in Apollo, n. 27, maggio 1964, pp.407-413.
GROHMANN Will, Kandinsky: Farben und Klänge, Baden Baden, 1955.
GÉRÔME-MAESSE, "L'audition colorée", in Les Tendances Nouvelles, Paris 1907.
Composizioni musicali
GRYC Stephen, Kandinsky: six images for organ/ Stephen Gryc.; Six images for organ.; Images for organ. Pullman, WA, Vivace Press, 1994; 24 p. of music. Contents: Capricious line - Fluttering - Small dream in red - Winter twilight - Sharp quiet - Bright unity. Includes programnotes by the composer. Library of Congress, 1994
CHAUSSON Ernest - LEKEU Guillaume, Quartets, piano, strings, op. 30, A major, Quatuor avec piano en la majeur, op. 30/ Ernest Chausson. Quatuor inachevé/ Guillaume Lekeu [sound recording]; Quatuor inachevé. Aria Music, Fnac Music, 1993; 1 sound disc. Durations: 38:00; 14:18. Library of Congress,1993
KANDINSKY Wassily - LAZAROF Henri, Tableaux: after Kandinsky: for piano and orchestra/ Henri Lazarof. Bryn Mawr, Pa, Merion Music, T. Presser, sole representative, 1989; 1 score (76 p.). Duration: 26:30. Library of Congress, 1989
HAUBENSTOCK-RAMATI Roman, Für Kandinsky: Trio für Flöte, Oboe, Klarinette: revidierte Version (Juli 1989)/ Roman Haubenstock-Ramati. R. Haubenstock-Ramati, Wien, Alleiniger Vertrieb, Universal Edition, 1989; 1 part (iii, 7 leaves). Library of Congress, 1989
HOFFMAN Joel - KANDINSKY Wassily, Between ten/ Joel Hoffman, [United States?], J. Hoffman, 1985; 1 score (62 p.). For orchestra. "The title Between ten refers indirectly to several works of Wassily Kandinsky that were part of the 'Kandinsky in Paris' exhibition at the Guggenheim Museum, New York, in the spring of 1985" - T.p. verso. Duration: 12:00. Library of Congress, 1985
KRAFT William, Gallery 4-5: 1985/ William Kraft, Van Nuys, CA, New Music West, 1985; 1 score (37 p.) Contents: In gray: Kandinsky - Rothko chapel: Rothko - Painting with white border: Kandinsky. For clarinet, violin, viola, violoncello, and piano. Duration: 17:30. Library of Congress, 1985
LEEF Yinam, Octet, winds, percussion, strings, Octet: eight miniatures for eight players, after paintings of Wassily Kandinsky/ Yinam Leef, [Philadelphia?], Y. Leef, 1984; 1 score (26 p.). Library of Congress, 1984.
Kraft William, Gallery 83: 1983/ William Kraft, Van Nuys, CA (P.O. Box 7434, Van Nuys 91409), New Music West, 1983; 1 score (34 p.), Contents: Waterloo Bridge (Monet) - Convergence (Pollock) - Kandinsky variations (Kraft). For flute/piccolo, clarinet/bass clarinet, violin, violoncello, piano/celeste, and percussion. Reproduced from holograph. Duration: 10:00. Library of Congress, 1983.
KANDINSKY Wassily - SCHNITTKE Alfred, Zheltyi zvuk.; Der gelbe Klang =3D [Zheltyi zvuk: stsenicheskaia kompozitsiia na libretto V.I. Kandinskogo: dlia pantomimy, kamernogo khora, instrumental'nogo ansamblia] (1973/74) =3D The yellow sound: scenic composition on a libretto by V. Kandinsky/ [A. Shnitke]; Zheltyi zvuk.; Yellow sound, Chester, N.Y, G. Schirmer, Rental Library, 1978; 1 score (38 p.) Pantomime for chorus (SATB) and instrumental ensemble. Library of Congress, 1978
Video
BEHNE Klaus-Ernst, Film, Musik, Video, oder, Die Konkurrenz von Auge und Ohr/ herausgegeben von Klaus-Ernst Behne.; Konkurenz von Auge und Ohr. Hochschule für Musik und Theater Hannover; Kommunales Kino der Stadt Hannover, Regensburg, G. Bosse, 1987; Kandinsky's "Bemalung" von Mussorgskijs "Bildern einer Ausstellung"/ Behne Klaus-Ernst, Kandinskys 'Bemalung' von Mussorgskijs Bildern einer Ausstellung (Kandinsky's 'painting' of Musorgskij's Kartinki s vystavki), "film - musik - video", Regensburg: Bosse, 1987, pp.31-44 (RILM 1987)
Dischi
Live at the Knitting Factory [sound recording]. Hollywood, CA, A&M Records, 1990-; 2 sound discs. Library of Congress, 1990
Sono gradite tutte le eventuali integrazioni, correzioni, suggerimenti
Suggestions and corrections are welcome
Matilde Battistini
